Farmer Boy

Updates / Prairie II

I’ve been working on several parts of the Faith of Laura Ingalls Wilder project for the last several weeks. My plan was to get as much as possible done before the due date of the first paper in my Western Civilization course here at Trinity Christian College. It was handed in today. So I will be grading for the next week, and then that class will be taking the first exam, so I’ll be grading for another week…

I did get confirmation this week that I will be speaking at the Midwestern History Conference, sponsored by the Midwestern History Association, in June. The panel is on “The Uses of Public Memory in the Rural American Midwest.” My paper title is “Little House and Little Church: Memory and the Church in the Published Works of Laura Ingalls Wilder.” Many thanks to panel organizer and presenter Nancy Berlage from Texas State University and presenter David Brodnax, Sr., my colleague here at Trinity. Thanks also to Commenter Jon Lauck, and Chair David Zwart.

I was able to finish my lecture for the Calvin College History Department Colloquium that I will be speaking at later this month. Many thanks to Will Katerberg and the Mellema Program in Western American Studies for inviting me. The lecture is titled “‘This is What Men Call God:’ The Faith of Laura Ingalls Wilder.” I also finished a presentation for a Faculty Coffee here at Trinity, which will be the week after I speak at Calvin.

This week I also traded emails with John Miller about Wilder manuscripts, and he told me about a conference in April in honor of the 150^th anniversary of Wilder’s birth. It’s called “Laura Ingalls Wilder: a 150 Year Legacy,” it’s being put on by the South Dakota State Historical Society (SDHS) in Sioux Falls. The SDHS is releasing a new book of essays on Wilder, and the conference will have all of the big names in Wilder studies. I’m trying to figure out if I can go. It’s during my last week of classes.

Meanwhile, I’ve been enjoying my Honors Seminar on the Little House books immensely. So far we’ve read and discussed Little House in the Big Woods, Farmer Boy, and Little House on the Prairie. The students are pointing out things to me that I hadn’t noticed. For instance, they noted that during the account of the family’s getting malaria (“Fever and Ague”) in Prairie, baby Carrie isn’t mentioned at all. (Carrie is actually mentioned twice in the chapter, but it is before and after the family is sick.) Who took care of the baby while everyone was stricken? This sent me to Pioneer Girl. In that memoir, the story of malaria is given before the story of Ma giving birth to baby Carrie. But because of the order in which the children’s books were published, Carrie was already in Big Woods, so she had to be in Prairie. We also discussed other challenges involved in running two timelines in our heads – the timeline of the Little House books and the timeline of Wilder’s actual life…

I also found an additional mention of Christianity in Little House on the Prairie that I hadn’t written about last year. In chapter 17, when Pa is gone to town, Ma sits up late in the rocking chair by the fire with Pa’s pistol in her lap and sings “There is a happy land / Far, far away, / Where saints in glory stand, / Bright, bright as day. / Oh, to hear the angels sing, / Glory to the Lord, our king.” (359) I probably should have noticed this when I worked through The Ingalls Wilder Family Songbook, but I didn’t.

Thanks for listening.

(The page number reference is from Volume 1 of the two volume set of the Little House books published by the Library of America in 2012.)

Little House Manuscripts

Last week I promised that I would report on the archival research that I did at the archives of the Herbert Hoover Presidential Library. Here is the first installment of that report.

One of the reasons that I went to the Hoover Library was to look at a set of microfilm documents that included original manuscripts of several of the Little House books. The microfilm was made by the Western Historical Manuscript Collection at the University of Missouri and the State Historical Society of Missouri. The actual documents are held by the Laura Ingalls Wilder Home Association in Mansfield, Missouri. The collection includes Wilder’s original handwritten manuscripts of Farmer Boy, On the Banks of Plum Creek, and By the Shores of Silver Lake. It also has later, typescript manuscripts of Pioneer Girl, Little House in the Big Woods, and Little House on the Prairie. I had thought that the collection had some kind of manuscript of all eight of the Little House books, but I was mistaken. However, I was glad to look at what was available.

I’ve worked on two books myself, so I understand how many times a text is revised before it is published. But it still struck me how many different versions there were of each Little House book. This is most clear for On the Banks of Plum Creek and By the Shores of Silver Lake. It appears that for these books at least, Wilder wrote out two different drafts in longhand on yellow lined paper. Her daughter Rose Wilder Lane then typed a draft, changing the order of some stories and adding structure, pacing, action, and dialogue. Then Wilder read over the drafts and made corrections. At times she argued with Lane about changes. We have the letters Wilder and Lane sent to each other about these books because they were living in different parts of the country (and because Lane did not destroy them – see my post on Selected Letters). As a result, the original manuscript is often extremely different from the final, published versions of the stories.

I was also struck by how much of the material for the completed books, how much of the action and dialogue, actually was the work of Lane. It is clear that the books were a collaboration between mother and daughter, with each contributing what each was best at. Wilder excelled at description and she knew her characters and her audience. Lane provided overall structure, pacing, excitement, and dialogue. My apologies to Pamela Smith Hill, who I think has greatly influenced my understanding of this collaboration; she says something close to this in her biography, but I don’t have time to look it up right now.

I was especially interested in whether the depiction of the church and Christianity changed between the original handwritten manuscripts and later versions. It was my hypothesis that Wilder’s original drafts would have more positive descriptions of church people than eventually appeared in the published versions. I was guessing that Lane would have supplied the more negative comments. What I found supported this hypothesis. I can provide two striking examples, one from Farmer Boy and one from On the Banks of Plum Creek.

In my post on Farmer Boy, I related how God comes into the story of the strange dog who guarded Almanzo’s family’s house from thieves when they had been paid $200 cash for two horses and could not get to town to put it in the bank. Here is Wilder’s original manuscript:

Father took the money to Mother. They didn’t like to keep $200 in the house overnight, but it was too late to take it to the bank at Malone. Mother put it away in the bureau drawer in her room. She said good Christians ought to feel that God would take care of them, but she’d rather the money were in the bank. (Laura Ingalls Wilder Papers, Western Historical Manuscripts Collection C-3633, Folder 11)

This becomes, in the published book, the following exchange:

“The Lord will take care of us,” Father said.

“The Lord helps them that help themselves.” Mother replied. “I wish to goodness that money was safe in the bank.” (164)

Then, at the end of the chapter, Mother says the following in Wilder’s original:

Father shook his head and said, “Well! Well! Well!” But Mother said she would always believe the strange dog had been sent by the Lord to watch over them and that he had kept the robbers away. (Laura Ingalls Wilder Papers, Western Historical Manuscripts Collection C-3633, Folder 11)

The published book says the following:

Mother said she would always believe that Providence had sent the strange dog to watch over them. Almanzo thought perhaps he stayed because Alice fed him.

“Maybe he was sent to try us,” Mother said. “Maybe the Lord was merciful to us because we were merciful to him.” (167)

Both of the exchanges in the published version are more interesting and engaging since they are dialogue instead of narrative. This directness is one of the things that makes the Little House books memorable. But I believe that the original manuscript better expresses how Wilder understood God and His actions in the lives of His people. It expresses a more settled faith. Mother and Father agree that God is in control, even when they are anxious. They believe that it was God’s providence that sent the dog to be the means of their protection. The addition of the words from Aesop’s fables (which many believe are in the Bible) and the multiple interpretations given by Mother and Almanzo confuse this depiction of God’s work in the world. Lane must have been the source of these changes, and that confusion reminds me of Lane’s experience of religion. She rejected Christianity until late in her life, was drawn towards Islam when she visited the Middle East, and was a pretty confirmed agnostic if not an atheist during the 1930s.

Even more striking are the changes to the description of church in On the Banks of Plum Creek. In my post on that book, I noted that the treatment of her Sunday School teacher, Mrs. Tower, had a bit of a negative edge. Laura’s original draft is much more positive:

“The lady told them her name was Mrs. Tower and learned all their names. Then she told a Bible story.

It was one Ma had told Laura and Mary, so they knew it already, but they liked to hear Mrs. Tower tell it…

After the story Mrs. Tower repeated a verse from the Bible to each little girl in turn and told her to remember it and tell it to her the next Sunday. That would be her Sunday school lesson.

When Mrs. Tower came to Laura, she said, “My very littlest girl must have a small lesson. It will be just three words, ‘God is love.’ Can you remember that for a whole week?”

Laura thought she was not so small as Mrs. Tower imagined. Why! She could remember long verses and whole songs. But she wouldn’t hurt Mrs. Tower’s feelings by telling her that so she answered, “Yes, Mam!” (Laura Ingalls Wilder Papers, Western Historical Manuscripts Collection C-3633, Folder 22)

This becomes the following exchange in the published book:

“When the others were settled on the square of benches, the lady said her name was Mrs. Tower, and she asked their names. Then she said, “Now, I’m going to tell you a story!”

Laura was very pleased. But Mrs. Tower began, “It is all about a little baby, born long ago in Egypt. His name was Moses.”

So Laura did not listen any more. She knew all about Moses in the bulrushes. Even Carrie knew that….

[Mrs. Tower gives out Bible memory verses:] When it was Laura’s turn… she said, “My very littlest girl must have a very small lesson. It will be the shortest verse in the Bible!”

Then Laura knew what it was. But Mrs. Tower’s eyes smiled and she said, “It is just three words!” She said them, and asked, “Now do you think you can remember that for a whole week?”

Laura was surprised at Mrs. Tower. Why, she remembered long Bible verses and whole songs! But she did not want to hurt Mrs. Tower’s feelings. So she said, “Yes, ma’am.”

“That’s my little girl!” Mrs. Tower said. But Laura was Ma’s little girl. “I’ll tell you again, to help you remember. Just three words,” said Mrs. Tower. “Now can you say them after me?”

Laura squirmed.

“Try,” Mrs. Tower urged her. Laura’s head bowed lower and she whispered the verse.

“That’s right!” Mrs. Tower said. “Now will you do your best to remember, and tell me next Sunday?”

Laura nodded. (505-506)

Like the alterations to the text of Farmer Boy, the changes to this account make it much more direct. One can feel what Laura felt. It’s much more effective storytelling. However, the tone of the writing and the feelings conveyed to the reader are completely different in the two versions. In Wilder’s original manuscript, Laura enjoys this new person and likes to hear her tell a story, even though she has heard it already. Later, Laura is a little surprised at Mrs. Tower’s notions, but doesn’t want to hurt her feelings. In the published book, which must be Lane’s retelling, Laura is offended that she would be told such a juvenile story and tormented by Mrs. Tower’s assumptions that she can’t memorize anything longer than several words. Add to this the fact that the shortest verse in the King James Bible (which was undoubtedly what was used) is only two words: “Jesus wept.” (John 11:35) “God is love” is actually part of a longer verse (I John 4:8) It appears that Lane did not know this, and it also appears that she deliberately avoided including the words “God is love” in the story.

I believe that these examples, and several others that I’ve not given here, show that it was Lane who changed Wilder’s straightforward and positive depictions of Christianity into the more mixed or even negative descriptions found in the published works. It is good to have some confirmation of something that I’ve long suspected.

However, Wilder did read Lane’s changes before they were finalized. She sometimes argued with Lane about keeping things the way she had written them, and at times she prevailed. But in none of the correspondence that I looked at does the depiction of Christianity come up. So it appears that Wilder accepted Lane’s changes. I think we might explain this acceptance in one of several ways. First, Wilder may have seen this as an acceptable shift in tone. Second, Wilder may not liked the changes, but she may have decided to choose her battles with Lane; she left these changes and concentrated on others. Third, Wilder might have objected to the changes in conversations or correspondence that we do not have, but ultimately lost the argument. I think one of the first two explanations is most likely.

The other reason I went to West Branch was to look at the correspondence the Hoover Library has between Wilder and Lane, which I will address in a separate post. Thanks for reading and I appreciate all comments.

(Page number references are from Volume 1 of the two volume set of the Little House books published by the Library of America in 2012.)

I read Farmer Boy yesterday. In Pamela Smith Hill’s biography of Wilder (Laura Ingalls Wilder: A Writer’s Life, South Dakota State Historical Society, 2007), Hill noted how striking it was that this was the next book Laura undertook after the success of Little House in the Big Woods. Wilder had already written an entire adult memoir of her own childhood, and therefore had plenty of material for a second book. But she decided against having her second book move forward with her own life story. Instead, she wrote a book about Almanzo’s childhood that would get boys interested in the series. It was a market-savvy choice, and Wilder carried it off well.

Like Big Woods there are plenty of life lessons described in Farmer Boy, but almost all have to do with traditionally male activities: crop-raising, bargaining, choice of vocation. Almanzo’s desire to take care of horses is lovingly described throughout, and as a result there is a clearer narrative arc than in Big Woods. Again, I am extremely amazed at Wilder’s writing ability. She describes things vividly, even lovingly: house, family, landscape, animals, work, food. Her prose ably evokes the world of a 9-10 year old boy. I was reminded once again why the series has such staying power.

The church is mentioned mainly in one chapter: Chapter 8, “Sunday,” which is similar to the single chapter on Sunday observance in Big Woods. Almanzo’s family dressed in their best clothes and took the sleigh ride to town to attend the morning worship service. The type of church is not mentioned. Almanzo’s experience with organized religion is described mainly in two vignettes: First, he must stay awake for a two-hour sermon and keep his eyes on the pastor, because Father will know if he doesn’t. (139) Second, during the afternoon he does “nothing at all” (141) while his mother reads the Bible in the dining room. “Almanzo just sat. He had to. He was not allowed to do anything else, for Sunday was not a day for working or playing. It was a day for going to church and for sitting still.” (141) These descriptions seem to be pretty far from “calling the Sabbath a delight” (Isaiah 58:13). As in Big Woods, the emphasis seems to be on the strictness of Sunday observance in the nineteenth century.

One other chapter mentions God, and it does so in several interesting ways. Chapter 13 “The Strange Dog” tells the story of Father’s sale of two horses for $200 each. He receives a down payment of $200, and it is too late in the day to take the bills to the bank. Mother is worried about having that much money in the house, but Father tries to calm her:

“‘The Lord will take care of us,’ Father said.

‘The Lord helps them that help themselves.’ Mother replied. ‘I wish to goodness that money was safe in the bank.’” (164)

Mother, of course, was not quoting the Bible, though many Americans have thought this quote was from scripture. I think that it is at least as old as Aesop’s fables, though it most likely entered American usage via Benjamin Franklin’s Poor Richard’s Almanac. (See this site for more on this.) Even more interesting is Mother’s observations at the end of the chapter, after the family feeds a stray dog and that dog guards the house from thieves during the night (Father finds fresh tracks in the woodlot in the morning):

“Mother said she would always believe that Providence had sent the strange dog to watch over them. Almanzo thought perhaps he stayed because Alice fed him.

‘Maybe he was sent to try us,’ Mother said. “Maybe the Lord was merciful to us because we were merciful to him.’” (167)

Thus, Mother’s beliefs seem to be that God was behind their deliverance, but perhaps their own activities marked the family as worthy of His care.

There are several other fleeting mentions of church, Sunday, and God (used as a swear) in the book. (215, 230, 235, 249). Jesus’ name is not mentioned.

One can interpret these as expressing Laura’s views about Christianity and the church or Almanzo’s and his Mother’s. Perhaps they just express Almanzo’s memories of his childhood. And the same caveats I mentioned in my previous entry about Wilder and Lane’s ideas of audience may apply here. However, the church and Christianity certainly are more present in Farmer Boy than Little House in the Big Woods.

As always, I would be glad to hear your comments.

(All page number references are from Volume 1 of the two volume set of the Little House books published by the Library of America in 2012.)