Back After a Long Time

There are always multiple stories

My last blog post was last June. I guess that some description of what I’ve been doing during the last nine months would be in order. Several observations:

Like many Americans, my life was dramatically changed and my view of the world was unbelievably altered by the events of 2020 and early 2021, including covid-19 lockdowns, ongoing virus restrictions, protests following the death of George Floyd, rioting and violence that followed some of those protests, the United States presidential election, doubts and accusations of election fraud, and the attack on the U. S. Capitol. Also like many Americans, these public events’ influence on me was complicated by personal, family, and work-related developments.

I can’t remember if I mentioned last spring that my mother died on February 3. My father, brother, and I buried her five days later and we planned a memorial service in Western Pennsylvania in the middle of March, which of course was postponed because of covid. It was ultimately held in mid-June. My father moved in with my family in August, then moved to a nearby apartment in early October. Last December, my family did not travel to eastern Pennsylvania to celebrate Christmas with my wife’s extended family. We have lived in Chicagoland eighteen years, and this was just the second time that we had not returned to PA for the holiday.

Last fall, my institution, Trinity Christian College, was completely online. A couple hundred students lived on campus, but all courses were online courses. I taught a new course in our just-approved Foundations curriculum. In October, Trinity also had its ten-year visit by a team representing the Higher Learning Commission (HLC), our regional accreditor. As an Academic Dean, I was lined up for multiple meetings on zoom with different members of the team. The week before the visit was set to begin, I came down with symptoms and tested positive for covid. It was a mild case and I attended all of the meetings from home. This semester, Trinity is holding classes in-person with a remote option. I teach in a classroom and also run a zoom session with students who must quarantine or who have chosen to not come to campus. I am again teaching a completely new course, and it’s a writing course, not solely a history course. My work as an Academic Dean is complicated by the realities that many of my colleagues are not on campus, that spring break was cancelled, and everyone has email fatigue.

In the midst of these developments, my research has taken a back seat. It is my hope to return soon to concentrated work on my book, “On the Pilgrim Way”: The Faith of Laura Ingalls Wilder. The manuscript is due to Eerdmans Publishers in August 2022. I have received a summer research grant from Trinity to work on it this summer. The college has also graciously approved a sabbatical for me in the spring of 2022. The time for the final push to complete the work is nearly here.

I do think that the events of the last twelve months—the response to covid-19, protests about racial injustice, the death of my mother—have made me think differently about my writing and my teaching. The cumulative effect of these events has impressed on me the incredible difficulty of understanding another person’s life. The virus affected people’s lives and livelihoods very differently, and therefore different people in my family, church, and workplace developed very different ideas about governmental action. The killing of George Floyd and the protests (and, at times, violence) that followed opened my eyes to new understandings of the experiences of my African American neighbors and colleagues. My ideas about how to understand my mother’s life have changed and shifted.

There are always multiple stories that can be told to make sense of the incomplete and fragmentary information we have about the world. In many ways, we ultimately are guessing from the evidence that we have. This is especially the case when one is trying to tell the story of someone else’s life. I have realized that my view of my mother’s life had been colored by the last few years when she was in very bad physical health. It is only as the months since her death have passed that I have been able to get a longer perspective on who she was and what she was like. The picture at the top of the page is of my mother and me on my wedding day, November 28, 1992. I have inherited more than just her nose and her smile.

This has humbled me as I have thought about the attempt to understand the life of Laura Ingalls Wilder. Biographers have interpreted her life in strikingly different ways. Caroline Fraser’s Prairie Fires asserts that Wilder was haunted by the privations and difficulties she experienced as a child and created a myth to deal with them. John Miller and others argue that Laura was shaped by difficulties but persevered due to inner strength, a balanced worldview, and trust in God. What she did not enjoy in life she accepted and made the best of, and she sought to teach others how to love life as a farmer’s wife.

As I think about my biography of Laura, I most would like to avoid taking a side in the cultural and partisan shouting matches of our time. I do not want to make Laura a champion of one side or the other. This is perhaps made easier because it is not always easy to define her by twenty-first century political categories. For instance, her love of nature, animals, and wild landscape is attractive to those on the political left, while her acceptance of traditional family roles and the attractiveness of her vision of the nuclear family is attractive to those on the political right. I hope to be able to describe her as accurately as possible from her point of view, that of a rural woman raised in the upper Midwest during the late nineteenth century who lived most of her adult life in the border south in the early twentieth century.

The last twelve months have also made me think hard about my teaching. I’ve been teaching history full-time for almost twenty years, and I’m much less optimistic about anyone’s ability to tell simple stories about what we can learn from the past. Historians with different backgrounds and worldviews write completely different stories about the past based on the same events and evidence. This includes Ph.D.-educated historians, though we are all historians, using stories to make sense of our own lives, the shape of our communities, and the history of our country. In both public forums and private conversations, we tell selective stories to support our ideas, our political positions, and the way that we live our lives. At one extreme, stories suggest that the way people lived in the past was all wrong, and that our job is to correct those wrongs or to forget about them. At the other extreme, stories are told to call us to ways of life in the past that were superior to today. Neither extreme is completely correct, but both often convey some aspects of the truth.

As a result, I am more and more drawn to ways that history might help people to understand others. I hope that studying history will enable students to understand people in the past who don’t think the way they do, and that therefore they will become better able to understand people in the present who don’t think the way they do. Finally, I hope that students will embrace an understanding of the past that is complicated and not easily fit into the extreme political categories of the early twenty-first century.

I guess I hope that people who read my book (and this blog) will come to better understand these things as well.

I understand that there’s a lot of aspiration (“I hope…”) here. Perhaps I can post some more content soon. Thanks for reading.

Links:

Trinity Christian College

My blog post on Caroline Fraser’s Prairie Fires

Blog posts on John Miller – Becoming Laura Ingalls Wilder, “Midwestern Dreams or Nightmares,” A Personal Appreciation

The Long Winter and the Coronavirus

This book probably read differently when it was released in 1940.

I wrote a first draft of this on Friday, May 1. The next day I learned that John Miller had died and I immediately began work on my tribute to him. My time since then has been dominated by videoconference meetings for my work at Trinity, and I wasn’t able to get back to this until yesterday. The piece seems dated now, since the weather is warmer, some states have reopen their economies, and there are more arguments in the states that haven’t. School is also now out for many American children. But I thought that I would edit and post it anyway.

I have remarked to members of my family and others that things read differently when one is living under a stay-at-home order. The book of Philippians in the New Testament reads differently when you think about the fact that the Apostle Paul wrote it while under house arrest in Rome. Other parts of the Bible also sound different given the reality in which we are living. Little House in the Big Woods sounded different when I read it several weeks ago. Yesterday I decided to read The Long Winter.

When I blogged about The Long Winter four years ago in February 2016 (it is hard to believe I’ve been doing this so long), I marveled at the tightness of the narrative in the book. Some glimpses at its artistry:

  • The first chapters describe Laura and Pa cutting and stacking the hay that saves their life later in the book by providing fuel for their fire.
  • Multiple events early in the book foreshadow the crisis that is to come, including the thickness of a muskrat’s house, a warning from an older Native American, an early blizzard, and Pa’s and Laura’s premonitions of disaster. A brooding malice is depicted as lurking behind even fine weather.
  • The description of peril when the schoolchildren have to walk home in a blizzard is gripping.
  • The depictions of privation are vivid. The Ingalls family goes to bed early to save coal and kerosene, eats the same food again and again, and eventually must spend all their time just grinding grain and twisting hay to get enough food and fuel to survive.
  • The structure of the book is relentless: first there is no meat, then no coal, then no kerosene. Hopes are pinned on the arrival of the next train again, and again, and again. Then on page 213, Pa says “I hate to tell you… The train isn’t coming.” That chapter ends “The wheat and the potatoes were not enough.” (224) Later, Laura asks, “Ma, will we starve?” (243)
  • The narrative reaches its nadir when Pa’s fingers are too cold to play the fiddle, the activity that has always rallied the family’s spirits in earlier books.

I find the book to be incredibly effective fiction, even for adults, especially those with families.

I can imagine that this book read differently when it was released in 1940. The generation that had lived through the Great Depression and read it for the first time during the Second World War understood peril and privation in ways that our generation does not. Or perhaps not until now. Peril has been brought home to us in media reports and stories from acquaintances about the coronavirus. Privation may be coming, for the millions of Americans who have lost their jobs or even for society more broadly.

Interesting comparisons in the book to our current situation:

  • In the first half of the book, Ma serves as the voice of naïve optimism in the face of realities that she would rather not face. She repeatedly says that surely, now there will be good weather for a while. Pa and Laura are more realistic interpreters of reality; they understand that it will remain bad for quite some time.
  • Before the situation becomes dire, the school-age children continue their studies from home. Their motivation is primarily internal, although Ma is a driving force as well. Their concern is to not fall behind their classmates.
  • The book also speaks for the enduring value of the arts. One chapter gives examples of how literature can inspire courage, especially poetry. Throughout the book, music is a source of inspiration, comfort, and hope.

Christianity and faith are depicted in many ways. In the first chapter, Pa explains to Laura that God tells muskrats when to build houses with thicker walls. Scripture is quoted three different times: Psalm 55:6, Psalm 23, and Proverbs 16:18. Laura’s schoolteacher opens the day by reading Psalm 23. Bedtime prayers are mentioned four different times. To pass the time during a blizzard, Mary, Laura, and Carrie have a contest to see how many Bible verses they have memorized. When the mail is anticipated, we are told that Ma looks forward to receiving church papers (probably the Christian Advance). The Ingalls family receives a letter and later a Christmas barrel from Reverend Alden’s church in Minnesota. Carrie gazes at a Sunday school card with a picture of the Good Shepherd. Laura and Mary pray for the safety of Almanzo Wilder and Cap Garland during their trip to locate food for the starving town. The family sings portions of at least ten different hymns. Finally, at the end of the book, as the family sits down to a loaded table for a belated Christmas dinner in April, Pa thanks God for his bounty. All in all, the book is by far the Little House book that mentions faith and Christianity the most.

This is where the original post came to an end. It does feel like the world has moved on from where it was when I wrote this. The weather is warmer, the daily number of new cases of COVID-19 and deaths have dropped significantly. Many in Illinois are talking about reopening soon—some to celebrate the idea, some to condemn it. It’s too bad that the COVID crisis can’t end the way that it did in The Long Winter: quickly and neatly. Less than twenty-five pages after Laura hears the chinook blowing, the train has arrived, the cupboards are filled, God has been thanked, and the book has concluded.

Thanks much for reading.

[Page numbers are from the 1953 edition of the book: Laura Ingalls Wilder, The Long Winter, illustrated by Garth Williams, revised edition (New York: Harper and Row, 1953)—the edition with the snowball fight on the front that gives an entirely incorrect feel for the contents of the book…]

Links:

Trinity Christian College

Tribute to John Miller

Original post on The Long Winter from 2016

 

The Big Woods and COVID-19

“She was glad that the cozy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.” (95)

It was just over a month ago when the administration of Trinity Christian College, where I work, announced that due to COVID-19, courses for the rest of the spring semester would be conducted online, all of the resident students had to move home, and all spring events on campus (athletic, theater, music, art, etc.) were canceled. It was Thursday, March 12. The announcement came at noon, and the Chaplain’s office quickly organized a final worship service that afternoon as a way for students, faculty members, and staff members to communally grieve the losses that confronted us and express our trust in God and our Lord Jesus Christ. I found my daughter, who is a senior at Trinity, and she put her head on my shoulder and we cried together. That event now seems like a long time ago.

The next week, the Governor of Illinois issued a stay-at-home order. I moved enough out of my office to teach and do my work as an Academic Dean from home. My oldest son was sent home from his college in Pennsylvania to finish the semester online, and plans were underway for my two sons who are in high school to begin online classes. So my four children and I are now all doing online education. So far the bandwidth has held out. My wife is also at home because her work as a nanny and a volunteer at a thrift store both were suspended. Everyday life at my home during the last month has been transformed completely. Now is now.

I would not want to put my losses up against others who have lost a lot more. I am able to work from home and receive a paycheck. Although they have lost paying jobs at their schools, several of my children work at a local greenhouse which is still open, so they can still make some money for college. And there have been compensations. There are six people at the table every day for dinner. My wife has been baking large loaves of delicious homemade bread that we’ve been toasting and covering with the apple butter she made and canned last fall. There is more time for board games in the evening. We have popped corn and watched movies together. There are livestream services on Sunday morning and evening, and Sunday School, Youth Group, and mid-week Bible studies online.

Several weeks into the online, stay-at-home version of life and work, Bill Anderson (William Anderson, author and probably the greatest living authority on Laura Ingalls Wilder) emailed me a link for a New Yorker article that mentions Little House in the Big Woods in relation to the author and her family’s entry into quarantine in London. Margaret Mead, a long-time author for the New Yorker, she speaks of how her husband, her son, and her three stepsons, had all loved the book when they were children. Mead read the book out loud to her son again, and they decided to grow some vegetables in their window boxes. She ends by describing her stepson who lives in rural upstate New York with his partner and their son.

Last week, I got an email from a librarian at the Christian college I attended in Pennsylvania (and where two of our sons will be attending this fall). It included a link to a blog entry from a young Christian woman reflecting on the importance of stories when confronting new realities, like COVID-19. She specifically mentions the Little House books and the Lord of the Rings trilogy by J. R. R. Tolkien.

In between these emails, I was contacted by Jared Burkholder, a historian at a Christian college in Indiana. He is teaching an online course on the History of the American West and wondered if we could record an interview about Laura Ingalls Wilder and the Little House books that he could have his students watch. I said I’d be glad to do so. We recorded the interview this past Monday, using Zoom. It was a lot of fun.

One of the questions he asked me about concerned reasons for the persistent popularity of the Little House books. I thought about the New Yorker author and the Christian blogger and said that I thought that the books combine two features that are often seen as appealing to either the cultural right or the cultural left: an incredibly attractive vision of family life and loving depictions of wilderness and the natural world. Cultural conservatives are often drawn to the Little House books’ depictions of the nuclear family. Pa represents the male head of household and the provider; Ma is the civilizer of the home. Together they support their children, and the books describe how real girls and young women feel when confronted with real challenges in growing up. Cultural liberals and environmentalists are drawn to the books’ detailed and evocative descriptions of wilderness, wild animals, and the landscape of the American west. And in fact, both of these things transcend cultural (and political) categories. Mead, who I would think leans to the left, appreciates Big Woods’s description of a happy home. I lean to the right and love the Little House books’ description of the physical environment, animals, and nature. The result is that the books continue to speak to tens of thousands of people.

So I decided to read Little House in the Big Woods yesterday and think about what it might say to the world in which I live today, the world shaped by COVID-19. It was especially appropriate for me to do it yesterday morning, because an April storm had caused several inches of snow to fall in Chicagoland. I immediately identified with the events in Chapter 7, “The Sugar Snow,” except we don’t have any real maple syrup in the house. I was again amazed at the book’s detailed descriptions of how food was prepared and preserved, its depictions of how young children feel and act, and its vision of how a family could feel they had everything they need, even as they have so much less than we do today. This is the accomplishment of the collaboration between Laura Ingalls Wilder and her daughter Rose Wilder Lane: many people today, 150 years after the events depicted and almost 100 years after the words were written, can identify with the stories. When I’ve been surprised by the usefulness of an online tool during the last several weeks, I’ve found myself thinking—like Pa did of the mechanical thresher in Chapter 12, “That machine’s a great invention!” (91) The very next chapter (the last of the book) depicts Pa’s love for natural beauty and wildlife as being so great that he is unable to shoot the deer or bear that walked into the clearing where he was hunting to bring home meat for his family. When he tells Ma and the girls, Laura says “I’m glad you didn’t shoot them!” and Mary adds “We can eat bread and butter.” (94) I agreed.

As a historian, I know that the world that is created in Little House in the Big Woods was not exactly how it was for Laura Ingalls Wilder during the years that she and her family lived in the log cabin outside of Pepin, Wisconsin. They had relatives and neighbors much nearer than the book suggests.  But ultimately, Little House in the Big Woods is a book of stories, and stories can teach even when they are not historically accurate.

I may try to read The Long Winter next week as a different way into the COVID-19 quarantine experience.

I realize that this entry has been mostly about me. Thanks for reading anyway.

(Quotes and page numbers are from Laura Ingalls Wilder, The Little House Books, edited by Caroline Fraser, Volume I (New York: Library of America, 2012).

Links:

Trinity Christian College, where I work.

Geneva College, where two of my sons will attend next fall, Lord-willing

Margaret Mead, “Returning Once More to a Little House in the Big Woods,” New Yorker, March 4, 2020.

Venia “On Stories and Facing a Quarantine,” Sola Gratia, April 3,